| Excerpt | | | | together in 1977," says Lukins, who thinks this angle |
| The following is an excerpt from the book The United | | | | helped the shop get press coverage almost as |
| States of Arugulaby David Kamp | | | | fawning and widespread as Dean & DeLuca's. Zabar |
| Published by Broadway Books; September | | | | was the odd man out where press was concerned. |
| 2006;$26.00US/$35.00CAN; 0-7679-1579-8 | | | | E.A.T. was flourishing, and it offered an even more |
| Copyright © 2006 David Kamp | | | | extensive and dazzling line of prepared foods than the |
| Chapter Seven | | | | Silver Palate, but the proprietor's truculence precluded |
| The New Sun-Dried Lifestyle | | | | him from ever being a press favorite, a circumstance |
| "What Dean & Deluca did was give the food market a | | | | that only got worse in the eighties, when he let loose |
| clean artistry that made it very now, very tied into the | | | | on the writer Julie Baumgold, the wife of New York's |
| moment when SoHo was being noticed," says | | | | then editor Edward Kosner, for trying to return some |
| Florence Fabricant, the New York Times food-beat | | | | item she'd purchased. ("I told her to go fuck herself, |
| scoopmeister, who wrote about the store nearly from | | | | 'cause there was nothing wrong with it," Zabar says.) |
| its inception. "Jack Ceglic was responsible for a lot of | | | | "Eli's a great merchandiser, and his shop was always |
| that, the industrial look. And Giorgio and Joel were | | | | spectacular, but I don't think he liked us at all," says |
| really fanatic about ferreting out product. It all tied | | | | Lukins. "I think he thought we copied him -- and we |
| together. And the other important thing they tapped | | | | didn't. I mean, we were one tiny corner of his shop! But |
| into was the need for prepared foods." | | | | we got the publicity and the good reviews." Within a |
| Indeed, the time had at last arrived when it was socially | | | | year of its opening, the Silver Palate was selling its |
| and economically acceptable for young professionals | | | | own product line at Saks Fifth Avenue, including such |
| -- and even harried moms in the suburbs -- to take | | | | items as winter fruit compote, Damson plums in |
| home freshly prepared entrées, along with salads | | | | brandy, and blueberry vinegar. |
| and sides purchased by the pound. In an earlier era, | | | | Four years later, The Silver Palate Cookbook was |
| prepared foods were problematic: they seemed too | | | | published by Workman and became the cookbook of |
| fancy and expensive (as Jean Vergnes found out | | | | the eighties, not just in Manhattan but throughout the |
| during his brief experiment with Stop & Shop in the | | | | United States. More disciplined and earthbound than |
| sixties), and, for women, they seemed a cop-out, a | | | | The Moosewood Cookbook, yet less intimidating and |
| betrayal of their domestic duties. But with more | | | | grown-up than the two volumes of Mastering the Art |
| women in the professional workforce and more | | | | of French Cooking, Lukins and Rosso's book was |
| people amenable to the general idea of "gourmet" | | | | perfect for have-it-all, multitasking baby boomers who |
| eating, especially if it had the imprimatur of a prestigious | | | | wanted to cook well but not all the time. Its introduction |
| shop like Dean & DeLuca or E.A.T., prepared foods | | | | recalled the state of affairs that led the two ladies to |
| started to take off -- Rob Kaufelt, who grew up in the | | | | their decision to open their shop: a new era in which |
| supermarket business and now runs Murray's, the | | | | women found themselves juggling "school schedules, |
| beloved New York cheese store, calls the rise of | | | | business appointments, political activities, art projects, |
| prepared foods "the biggest change in the | | | | sculpting classes, movie going, exercising, theater, |
| grocery-store business over the last thirty years." | | | | chamber music concerts, tennis, squash, weekends in |
| Dean & DeLuca's secret weapon in this regard was | | | | the country or at the beach, friends, family, fund raisers, |
| Felipe Rojas-Lombardi, who for a time was a partner | | | | books to read, [and] shopping," and yet were still |
| in the store with the namesake owners and Ceglic. | | | | compelled "to prepare creative, well-balanced meals |
| Peruvian by birth, Rojas-Lombardi had come to Dean | | | | and the occasional dinner party at home." The Silver |
| & DeLuca by way of the James Beard Cooking | | | | Palate lifestyle offered two solutions: you could use |
| School, where he'd risen up through the ranks to | | | | Lukins and Rosso's recipes, or buy their products and |
| become the master's right-hand man in the kitchen. | | | | prepared foods. |
| Rojas-Lombardi had also worked as New York | | | | The very emergence of the word "lifestyle" in the late |
| magazine's in-house chef, their go-to man for testing | | | | seventies signaled a progression in America's food |
| recipes. This pedigree proved helpful not only in eliciting | | | | culture. Stylish living wasn't just for wealthy |
| constant plugs for the store in Beard's syndicated | | | | boulevardiers anymore, but for anyone who |
| column and in New York but in the fact that | | | | considered himself upwardly mobile -- and eating, |
| Rojas-Lombardi was a skilled, inventive cook: he | | | | cooking, and food-shopping were about as lifestylish as |
| roasted chickens tandoori-style, grilled salmon on cedar | | | | things got. In 1976, when The New York Times |
| planks, and went out on a limb with such oddball | | | | expanded from two to four sections a day, introducing |
| entrées as elk steak and his notorious rabbit with | | | | a new daily business section and a rotating fourth |
| forty cloves of garlic. "Felipe did some of the first | | | | section devoted to soft news and service journalism, |
| pasta salads that people had ever seen," says Ceglic. | | | | the first two "fourth sections" to appear were |
| "He did everything with the products we sold, and | | | | Weekend (on Fridays) and the Living section (on |
| people cottoned to it." | | | | Wednesdays), both of which had a heavy food |
| "The idea was that if you didn't know what a sun-dried | | | | component. The Weekend section carried the |
| tomato was, well, here it was, in a pasta salad," said | | | | restaurant-review column, which ran longer and held |
| Dean. | | | | greater weight than it had when Claiborne introduced |
| The third point in New York's prepared-foods triangle, | | | | the column in the early sixties. Whereas Claiborne's |
| with Dean & DeLuca downtown and E.A.T. serving the | | | | early columns were often roundups, devoting just a |
| Upper East Side, was the Silver Palate, a tiny shop on | | | | blurb or a short paragraph to each restaurant, the new |
| the Upper West Side, on what was then a drab | | | | version evaluated no more than two restaurants at a |
| stretch of Columbus Avenue. The Silver Palate's | | | | time, with much more intimate, first-person critiques by |
| genesis lay in a mid-seventies catering company called | | | | the Times' new reviewer, Mimi Sheraton. |
| The Other Woman, a single-person operation run by | | | | The Living section was even more gastronomically |
| Sheila Lukins, a young mother of two who cooked out | | | | inclined, with shopping news and product evaluations |
| of her apartment on Central Park West. As her | | | | from Florence Fabricant; a wine column by Frank Prial |
| company's name and slogan ("So discreet, so delicious, | | | | (a metro-desk reporter who happened to be an |
| and I deliver") suggested, Lukins's clientele was mostly | | | | oenophile); health and nutrition news from Jane Brody; |
| male: professional men who wanted their dinner parties | | | | recipes, essays, and travelogues from Claiborne; and a |
| catered but not in an inordinately fussy, Edith | | | | new column by Pierre Franey, bylined at last, called |
| Whartonian fashion. | | | | "60-Minute Gourmet." Arthur Gelb, who was put in |
| Lukins was a self-taught cook, more or less -- she had | | | | charge of the new culture sections by the paper's |
| taken a course at the London Cordon Bleu while she | | | | executive editor, Abe Rosenthal, had wanted to |
| and her husband lived there, but "it was the dilettante | | | | appeal to time-strapped upwardly mobile home cooks |
| course," she says. Her greatest inspiration was not | | | | by running a column called "30-Minute Gourmet"; Gelb |
| Child and company's Mastering the Art of French | | | | and his wife, Barbara, had been impressed by Franey's |
| Cooking but the more practical, less labor-intensive | | | | ability to whip up quick, simple, delicious meals in the |
| recipes of Craig Claiborne's New York Times | | | | Hamptons -- flounder in a butter sauce, say, or pork |
| cookbooks and his Sunday pieces for the Times | | | | chops with capers -- after a long day of fishing. |
| Magazine. Lukins's cooking was eclectic but somehow | | | | But Franey was still too much of a purist to limit himself |
| all of a piece -- aspirational comfort food: moussaka, | | | | to thirty minutes. (Like a lot of chefs, he was also |
| lasagna, ratatouille, stuffed grape leaves, and the | | | | made queasy by the word "gourmet" and preferred |
| quintessential Lukins dish, Chicken Marbella, the | | | | the title "60-Minute Chef," but he yielded to Gelb on |
| quartered bird baked after a long soak in a | | | | that matter.) The first "60-Minute Gourmet" column |
| Mediterranean-style marinade of oil, vinegar, garlic, | | | | featured a recipe for crevettes "margarita" -- an |
| prunes, olives, and capers. | | | | invention of Franey's that called for shrimp to be |
| While running The Other Woman Catering Company, | | | | cooked in a sauce of tequila, shallots, and cream, with |
| Lukins became acquainted with Julee Rosso, a young | | | | avocado slices tossed in at the end -- and began with |
| professional who worked in the advertising division of | | | | a statement of intent (written by Claiborne) that |
| Burlington Mills, the textile company. Rosso had | | | | declared, "With inventiveness and a little planning, there |
| attended many events catered by Lukins, and was so | | | | is no reason why a working wife, a bachelor, or a |
| impressed that one day, she hit up Lukins with a | | | | husband who likes to cook cannot prepare an elegant |
| proposal. "She said, 'So many women are working late | | | | meal in under an hour." |
| now. What if we opened up a shop for them?'" Lukins | | | | Excerpted from The United States of Arugula: How |
| remembers. The two went into business as the Silver | | | | We Became a Gourmet Nation by David Kamp |
| Palate in the summer of 1977, with Lukins as the cook | | | | Copyright © 2006 by David Kamp. Excerpted by |
| -- carting food over from her apartment several times | | | | permission of Broadway, a division of Random House, |
| a day to the then kitchenless store -- and Rosso as | | | | Inc. All rights reserved. No part of this excerpt may be |
| the marketer and front-woman. | | | | reproduced or reprinted without permission in writing |
| "It was a big deal for two women to go into business | | | | from the publisher. |