The New Sun-dried Lifestyle

Excerpttogether in 1977," says Lukins, who thinks this angle
The following is an excerpt from the book The Unitedhelped the shop get press coverage almost as
States of Arugulaby David Kampfawning and widespread as Dean & DeLuca's. Zabar
Published by Broadway Books; Septemberwas the odd man out where press was concerned.
2006;$26.00US/$35.00CAN; 0-7679-1579-8E.A.T. was flourishing, and it offered an even more
Copyright © 2006 David Kampextensive and dazzling line of prepared foods than the
Chapter SevenSilver Palate, but the proprietor's truculence precluded
The New Sun-Dried Lifestylehim from ever being a press favorite, a circumstance
"What Dean & Deluca did was give the food market athat only got worse in the eighties, when he let loose
clean artistry that made it very now, very tied into theon the writer Julie Baumgold, the wife of New York's
moment when SoHo was being noticed," saysthen editor Edward Kosner, for trying to return some
Florence Fabricant, the New York Times food-beatitem she'd purchased. ("I told her to go fuck herself,
scoopmeister, who wrote about the store nearly from'cause there was nothing wrong with it," Zabar says.)
its inception. "Jack Ceglic was responsible for a lot of"Eli's a great merchandiser, and his shop was always
that, the industrial look. And Giorgio and Joel werespectacular, but I don't think he liked us at all," says
really fanatic about ferreting out product. It all tiedLukins. "I think he thought we copied him -- and we
together. And the other important thing they tappeddidn't. I mean, we were one tiny corner of his shop! But
into was the need for prepared foods."we got the publicity and the good reviews." Within a
Indeed, the time had at last arrived when it was sociallyyear of its opening, the Silver Palate was selling its
and economically acceptable for young professionalsown product line at Saks Fifth Avenue, including such
-- and even harried moms in the suburbs -- to takeitems as winter fruit compote, Damson plums in
home freshly prepared entrées, along with saladsbrandy, and blueberry vinegar.
and sides purchased by the pound. In an earlier era,Four years later, The Silver Palate Cookbook was
prepared foods were problematic: they seemed toopublished by Workman and became the cookbook of
fancy and expensive (as Jean Vergnes found outthe eighties, not just in Manhattan but throughout the
during his brief experiment with Stop & Shop in theUnited States. More disciplined and earthbound than
sixties), and, for women, they seemed a cop-out, aThe Moosewood Cookbook, yet less intimidating and
betrayal of their domestic duties. But with moregrown-up than the two volumes of Mastering the Art
women in the professional workforce and moreof French Cooking, Lukins and Rosso's book was
people amenable to the general idea of "gourmet"perfect for have-it-all, multitasking baby boomers who
eating, especially if it had the imprimatur of a prestigiouswanted to cook well but not all the time. Its introduction
shop like Dean & DeLuca or E.A.T., prepared foodsrecalled the state of affairs that led the two ladies to
started to take off -- Rob Kaufelt, who grew up in thetheir decision to open their shop: a new era in which
supermarket business and now runs Murray's, thewomen found themselves juggling "school schedules,
beloved New York cheese store, calls the rise ofbusiness appointments, political activities, art projects,
prepared foods "the biggest change in thesculpting classes, movie going, exercising, theater,
grocery-store business over the last thirty years."chamber music concerts, tennis, squash, weekends in
Dean & DeLuca's secret weapon in this regard wasthe country or at the beach, friends, family, fund raisers,
Felipe Rojas-Lombardi, who for a time was a partnerbooks to read, [and] shopping," and yet were still
in the store with the namesake owners and Ceglic.compelled "to prepare creative, well-balanced meals
Peruvian by birth, Rojas-Lombardi had come to Deanand the occasional dinner party at home." The Silver
& DeLuca by way of the James Beard CookingPalate lifestyle offered two solutions: you could use
School, where he'd risen up through the ranks toLukins and Rosso's recipes, or buy their products and
become the master's right-hand man in the kitchen.prepared foods.
Rojas-Lombardi had also worked as New YorkThe very emergence of the word "lifestyle" in the late
magazine's in-house chef, their go-to man for testingseventies signaled a progression in America's food
recipes. This pedigree proved helpful not only in elicitingculture. Stylish living wasn't just for wealthy
constant plugs for the store in Beard's syndicatedboulevardiers anymore, but for anyone who
column and in New York but in the fact thatconsidered himself upwardly mobile -- and eating,
Rojas-Lombardi was a skilled, inventive cook: hecooking, and food-shopping were about as lifestylish as
roasted chickens tandoori-style, grilled salmon on cedarthings got. In 1976, when The New York Times
planks, and went out on a limb with such oddballexpanded from two to four sections a day, introducing
entrées as elk steak and his notorious rabbit witha new daily business section and a rotating fourth
forty cloves of garlic. "Felipe did some of the firstsection devoted to soft news and service journalism,
pasta salads that people had ever seen," says Ceglic.the first two "fourth sections" to appear were
"He did everything with the products we sold, andWeekend (on Fridays) and the Living section (on
people cottoned to it."Wednesdays), both of which had a heavy food
"The idea was that if you didn't know what a sun-driedcomponent. The Weekend section carried the
tomato was, well, here it was, in a pasta salad," saidrestaurant-review column, which ran longer and held
Dean.greater weight than it had when Claiborne introduced
The third point in New York's prepared-foods triangle,the column in the early sixties. Whereas Claiborne's
with Dean & DeLuca downtown and E.A.T. serving theearly columns were often roundups, devoting just a
Upper East Side, was the Silver Palate, a tiny shop onblurb or a short paragraph to each restaurant, the new
the Upper West Side, on what was then a drabversion evaluated no more than two restaurants at a
stretch of Columbus Avenue. The Silver Palate'stime, with much more intimate, first-person critiques by
genesis lay in a mid-seventies catering company calledthe Times' new reviewer, Mimi Sheraton.
The Other Woman, a single-person operation run byThe Living section was even more gastronomically
Sheila Lukins, a young mother of two who cooked outinclined, with shopping news and product evaluations
of her apartment on Central Park West. As herfrom Florence Fabricant; a wine column by Frank Prial
company's name and slogan ("So discreet, so delicious,(a metro-desk reporter who happened to be an
and I deliver") suggested, Lukins's clientele was mostlyoenophile); health and nutrition news from Jane Brody;
male: professional men who wanted their dinner partiesrecipes, essays, and travelogues from Claiborne; and a
catered but not in an inordinately fussy, Edithnew column by Pierre Franey, bylined at last, called
Whartonian fashion."60-Minute Gourmet." Arthur Gelb, who was put in
Lukins was a self-taught cook, more or less -- she hadcharge of the new culture sections by the paper's
taken a course at the London Cordon Bleu while sheexecutive editor, Abe Rosenthal, had wanted to
and her husband lived there, but "it was the dilettanteappeal to time-strapped upwardly mobile home cooks
course," she says. Her greatest inspiration was notby running a column called "30-Minute Gourmet"; Gelb
Child and company's Mastering the Art of Frenchand his wife, Barbara, had been impressed by Franey's
Cooking but the more practical, less labor-intensiveability to whip up quick, simple, delicious meals in the
recipes of Craig Claiborne's New York TimesHamptons -- flounder in a butter sauce, say, or pork
cookbooks and his Sunday pieces for the Timeschops with capers -- after a long day of fishing.
Magazine. Lukins's cooking was eclectic but somehowBut Franey was still too much of a purist to limit himself
all of a piece -- aspirational comfort food: moussaka,to thirty minutes. (Like a lot of chefs, he was also
lasagna, ratatouille, stuffed grape leaves, and themade queasy by the word "gourmet" and preferred
quintessential Lukins dish, Chicken Marbella, thethe title "60-Minute Chef," but he yielded to Gelb on
quartered bird baked after a long soak in athat matter.) The first "60-Minute Gourmet" column
Mediterranean-style marinade of oil, vinegar, garlic,featured a recipe for crevettes "margarita" -- an
prunes, olives, and capers.invention of Franey's that called for shrimp to be
While running The Other Woman Catering Company,cooked in a sauce of tequila, shallots, and cream, with
Lukins became acquainted with Julee Rosso, a youngavocado slices tossed in at the end -- and began with
professional who worked in the advertising division ofa statement of intent (written by Claiborne) that
Burlington Mills, the textile company. Rosso haddeclared, "With inventiveness and a little planning, there
attended many events catered by Lukins, and was sois no reason why a working wife, a bachelor, or a
impressed that one day, she hit up Lukins with ahusband who likes to cook cannot prepare an elegant
proposal. "She said, 'So many women are working latemeal in under an hour."
now. What if we opened up a shop for them?'" LukinsExcerpted from The United States of Arugula: How
remembers. The two went into business as the SilverWe Became a Gourmet Nation by David Kamp
Palate in the summer of 1977, with Lukins as the cookCopyright © 2006 by David Kamp. Excerpted by
-- carting food over from her apartment several timespermission of Broadway, a division of Random House,
a day to the then kitchenless store -- and Rosso asInc. All rights reserved. No part of this excerpt may be
the marketer and front-woman.reproduced or reprinted without permission in writing
"It was a big deal for two women to go into businessfrom the publisher.