| Here's everything I know about improving your writing, | | | | took |
| publishing it electronically and in print, and promoting it | | | | two tries, because my first "editor" was a rip-off artist |
| after the sale.Two questions you should ask:(1) What | | | | charging over ten times market value for incomplete |
| will it cost me?(2) What does this Michael LaRocca | | | | advice.That editor, incidentally, is named Edit Ink, and |
| guy know about it?Answer #1 -- It won't cost you a | | | | they're listed |
| thing. The single most | | | | on many "scam warning" sites. They take kickbacks |
| important bit of advice I can give you, and I say it | | | | from every fake |
| often, is | | | | agent who sends them a client. (I'll talk about fake |
| don't pay for publication.My successes have come | | | | agents later.)If you choose to hire an editor, check |
| from investing time. Some of it was well | | | | price and reputation. (For a |
| spent, but most of it was wasted. It costs me nothing | | | | ballpark figure, I charge $3 per 1000 words for a |
| to share | | | | proofread, twice |
| what I've learned. It costs you nothing to read it | | | | that for an in-depth edit.) Consider that you might |
| except some | | | | never make |
| of your time.Answer #2 -- "Michael LaRocca has | | | | enough selling your books to get back what you pay |
| been researching the | | | | that editor. Do |
| publishing field for over ten years."This quote, from an | | | | you care? That's your decision.Your first, most |
| ezine (electronic newsletter) called Authors | | | | important step on the road to publication is to |
| Wordsmith, was a kind way of saying I've received a | | | | make your writing the best it can be.** PUBLICATION |
| lot of | | | | **My goal is to be published in both mediums, ebook |
| rejections. Also, my "research" required 20 years.But | | | | and print. |
| in my "breakout" year (2000), I finished writing four | | | | There are some readers who prefer ebooks, and |
| books | | | | some who prefer |
| and scheduled them all for publication in 2001. I also | | | | print books. The latter group is larger, but those |
| began | | | | publishers |
| editing for one of my publishers, a job I've been | | | | are harder to sell your writing to. I want to be |
| enjoying ever | | | | published in |
| since.After my first book was published, both my | | | | both mediums, because I want all the readers I can |
| publishers closed. | | | | get.Thus, I advocate something of a stepping-stone |
| Two weeks and three publishers later, I was back on | | | | approach. |
| track. All | | | | Publish electronically with a quality place, and enjoy the |
| four books were published, and a fifth was released | | | | benefits of free editing. Later, if you think you can sell |
| in 2004. | | | | your book to a traditional print publisher, you have a |
| Written in 2003, no rejections. Another scheduled for | | | | professionally edited manuscript to submit. Free |
| 2005 | | | | editing.Before you epublish, check the contract to be |
| publication, no rejections.See how much faster it was | | | | sure you can |
| the second time around? That's | | | | publish the edited work in print later.If you know your |
| because I learned a lot.Also, I found more editing jobs. | | | | book just plain won't ever make it into |
| That's what I do when I'm not | | | | traditional print, print-on-demand (POD) is an option. |
| writing, doing legal transcription, or teaching English in | | | | Some |
| China | | | | of my books fall into this category. The best |
| (my new home). But the thing is, if I'd become an | | | | epublishers will |
| editor before | | | | simultaneously publish your work electronically and in |
| learning how to write, I'd have stunk.2005 EPPIE | | | | POD |
| Award finalist. 2004 EPPIE Award finalist. 2002 EPPIE | | | | format, at no cost to you.A lot of authors swear by |
| Award finalist. Listed by Writers Digest as one of The | | | | self-publication, but the prospect |
| Best 101 | | | | just plain scares me. All that promo, all that self-editing, |
| Websites For Writers in 2001 and 2002. Sime-Gen | | | | maybe driving around the countryside with a back |
| Readers Choice | | | | seat full of |
| Awards for Favorite Author (Nonfiction & Writing) and | | | | books. I'm a writer, not a salesman. Maybe you're |
| Favorite | | | | different.I self-published once, in the pre-POD days. |
| Book (Nonfiction & Writing). 1982 Who's Who In | | | | Mom handled the |
| American Writing.Excuse me for bragging, but it beats | | | | sales. I had fun and broke even. With POD, at least it's |
| having you think I'm | | | | easier (and probably cheaper) to self-publish than it |
| unqualified.I'll tell you what's missing from this course. | | | | was in |
| What to write | | | | 1989, because you'll never get stuck with a large |
| about, where I get my ideas from, stuff like that. | | | | unsold |
| Maybe I don't | | | | inventory.POD setup fees can range anywhere from |
| answer this question because I think you should do it | | | | US$100 to over $1000. |
| your way, | | | | Don't pay the higher price! Price shop. Also, remember |
| not mine. Or maybe because I don't know how I do it. | | | | that |
| Or maybe | | | | POD places publish any author who pays, giving them |
| both.Once you've done your writing, this course will | | | | a real |
| help you with | | | | credibility problem with some reviewers and readers, |
| the other stuff involved in being a writer. Writing | | | | and that |
| involves | | | | they do no marketing.** PROMOTING YOUR |
| wearing at least four different hats. Writer, editor, | | | | PUBLISHED WRITING **It doesn't matter how you |
| publication seeker, post-sale self-promoter.Here's what | | | | publish your book. Self-published, |
| I can tell you about my writing.Sometimes an idea just | | | | epublished, POD, or traditional print publishing from a |
| comes to me out of nowhere and refuses | | | | small |
| to leave me alone until I write about it. So, I do.And, | | | | press or an absolute powerhouse. Marketing falls |
| whenever I read a book that really fires me up, I think, "I | | | | largely on you, |
| wish I could write like that." So, I just keep trying. I'll | | | | and the same things always work. Book signings, |
| never | | | | book reviews and |
| write THE best, but I'll always write MY best. And get | | | | interviews in the local newspapers and on radio. (Or |
| better | | | | Oprah, |
| every time. That's the "secret" of the writing | | | | but what are our chances?)Start with It will |
| "business," same as | | | | allow you to look up all the local media outlets in your |
| any other business. Always deliver the goods.I read | | | | area |
| voraciously, a habit I recommend to any author who | | | | that have websites.If you write to them all, you're a |
| doesn't already have it. You'll subconsciously pick up | | | | spammer. Plus, it'll take |
| on what | | | | ages. Look for the ones with a legitimate interest and |
| does and doesn't work. Characterization, dialogue, | | | | fire |
| pacing, plot, | | | | away.If you find a stale URL, and I think you will, look |
| story, setting, description, etc. But more importantly, | | | | for the name |
| someone | | | | of that media outlet at some place like Google. Spend |
| who doesn't enjoy reading will never write something | | | | some time |
| that someone | | | | looking for the right press contacts, spend some time |
| else will enjoy reading.I don't write "for the market." I | | | | writing |
| know I can't, so I just write | | | | your press release, and do what you can.Most of |
| for me and then try to find readers who like what I | | | | these sites list email, snail mail, and phone numbers. |
| like. I'm | | | | Since I live in China, I've only used email.Book reviews, |
| not trying to whip up the next bestseller and get rich. | | | | author interviews, book listing sites, and book |
| Not that | | | | contests are something we can all do, regardless of |
| I'd complain. But I have to write what's in my heart, | | | | where we |
| then find a | | | | live.HOW TO GET PUBLISHED (my free ebook) |
| market later. It makes marketing a challenge at times, | | | | contains my list of |
| but I | | | | resources. of the sites I mention review ebooks, and |
| wouldn't have it any other way.When you write, be a | | | | some do not. The |
| dreamer. Go nuts. Know that you're writing | | | | POD option can help e-authors here, but balance cost |
| pure gold. That fire is why we write.An author I | | | | vs. |
| admire, Kurt Vonnegut, sweats out each individual | | | | likelihood of gaining enough readers to offset that |
| sentence. He writes it, rewrites it, and doesn't leave it | | | | cost.Some are ezines and some are websites. Some |
| alone | | | | are printed |
| until it's perfect. Then when he's done, he's done.I | | | | newsletters, some are printed magazines, and some |
| doubt most of write like that. I don't. I let it fly as fast | | | | are |
| as my fingers can move across the paper or | | | | newspapers. This is just a starting point. If you visit |
| keyboard, rushing to | | | | them |
| capture my ideas before they get away. Later, I | | | | all, and you have time for more promotion, you can |
| change and | | | | find many |
| shuffle and slice.James Michener writes the last | | | | more.Aside from two radio interviews and a seminar |
| sentence first, then has his goal | | | | in Hong Kong, and |
| before him as he writes his way to it.Then there's me. | | | | some emailed press releases to the LOCAL media |
| No outline whatsoever. I create characters | | | | back in the US |
| and conflict, spending days and weeks on that task, | | | | which may or may not have succeeded in anything, |
| until the | | | | my marketing |
| first chapter leaves me wondering "How will this end?" | | | | has come from the Internet.I have a website. I have a |
| Then my | | | | newsletter. I write free articles |
| characters take over, and I'm as surprised as the | | | | such as this one. I give away a free ebook, the |
| reader when I | | | | essence of which |
| finish my story.Some authors set aside a certain | | | | you're reading now. You found me somehow, |
| number of hours every day for | | | | right?Here's the type of message I receive often in |
| writing, or a certain number of words. In short, a writing | | | | email. To be more |
| schedule.Then there's me. No writing for three or six | | | | precise, in spam."If a million people see your ad, and |
| months, then a | | | | you get 1% of them, that's10,000 readers and |
| flurry of activity where I forget to eat, sleep, bathe, | | | | therefore $15,000 profit and you only paid |
| change | | | | $1000 for those million addresses."NO!! It doesn't work |
| the cat's litter... I'm a walking stereotype. To assuage | | | | that way. Need I use the words dot-com |
| the | | | | bust?My website is free. My newsletter is free. I don't |
| guilt, I tell myself that my unconscious is hard at work. | | | | buy mailing |
| As | | | | lists, I don't harvest email addresses, and I don't spam. I |
| Hemingway would say, long periods of thinking and | | | | want interested traffic, not just sheer numbers.Do you |
| short periods | | | | think the Phoenicians tried to sell sails to people a |
| of writing.I've shown you the extremes in writing | | | | thousand miles from water?Internet marketing isn't a |
| styles. I think most | | | | replacement for the methods mentioned |
| authors fall in the middle somewhere. But my point is, | | | | above, but a complement to them. And by using it, I |
| find out | | | | got you here.Your goal in marketing is this. There are |
| what works for you. You can read about how other | | | | people in the world who |
| writers do it, | | | | like what you like. And since you like your book, they |
| and if that works for you, great. But in the end, find | | | | probably |
| your own | | | | will too. You have to find those readers and make |
| way. That's what writers do.Just don't do it halfway.If | | | | them interested, |
| you're doing what I do, writing a story that entertains | | | | without spamming them and without "playing the |
| and | | | | numbers game."If you're an e-author, let me state the |
| moves you, you'll find readers who share your tastes. | | | | obvious. Nobody buys |
| For some | | | | ebooks who doesn't have Internet access. Do they? |
| of us that means a niche market and for others it | | | | So you |
| means regular | | | | definitely need a website.Traditional print authors need |
| appearances on the bestseller list.Writing is a calling, | | | | websites too. Even blockbuster |
| but publishing is a business. Remember | | | | authors like J.R. Rowling and Stephen King, who I |
| that AFTER you've written your manuscript. Not | | | | doubt could |
| during.I've told you how I write. For me.** EDITING | | | | garner any more name recognition, have websites. So |
| **The next step is self-editing. Fixing the mistakes I | | | | does every |
| made in my | | | | long-established inescapable monstro-business like |
| rush to write it before my Muse took a holiday. | | | | McDonalds and |
| Several | | | | Coke.Okay, those folks pay web designers. I'm not |
| rewrites. Running through it repeatedly with a | | | | doing that. I can't |
| fine-toothed | | | | generate sales like that. And yes, I've been employed |
| comb and eliminating cliches like "fine-toothed | | | | as an HTML |
| comb."Then what?There are stories that get rejected | | | | programmer. But you can write your own website |
| because the potential | | | | without learning |
| publisher hates them, but more are shot down for | | | | HTML if you want. It's no harder than writing a |
| other reasons. | | | | manuscript with |
| Stilted dialogue. Boring descriptions. Weak characters. | | | | a word processor.It won't be super-flashy like the big |
| Underdeveloped story. Unbelievable or inconsistent | | | | boys, but it'll |
| plot. Sloppy | | | | communicate the information. Remember, you can |
| writing.That's what you have to fix.I started by using | | | | communicate. |
| Free Online Creative Writing Workshops. What | | | | You're an author! That's what keeps people coming |
| I needed most was input from strangers. After all, | | | | back to a |
| once you're | | | | website after the thrill of the flash wears off. |
| published, your readers will be strangers. Every | | | | Information. |
| publisher you | | | | Content. Your specialty.I consider my website and my |
| submit to will be a stranger. What will they think? I | | | | newsletter to be successful, and I've |
| always get | | | | analyzed how they got that way, in the free ebook I |
| too close to my writing to answer that.Whenever I | | | | mentioned above. |
| got some advice, I considered it. Some I just threw | | | | There are legitimate ways to bring traffic to your |
| out as wrong, or because I couldn't make the changes | | | | website and your |
| without | | | | newsletter. Not massive numbers overnight, but slow |
| abandoning part of what made the story special to | | | | steady growth over |
| me. Some I | | | | the long term. CLOSING THOUGHTS **Here's |
| embraced. But the point is, I decided. It's my | | | | something you've heard before. When your manuscript |
| writing.After a time, I didn't feel the need for the | | | | is |
| workshops anymore. | | | | rejected -- and it will be -- remember that you aren't |
| I'm fortunate enough to have a wife whose advice I | | | | being |
| will always | | | | rejected. Your manuscript is.One reader took me to |
| treasure, and after a while that was all I needed. But | | | | task for that statement, claiming he'd |
| early | | | | never been rejected. I'm very happy for him. But why, |
| on, it would've been unfair to ask her to read my | | | | if I may be |
| drivel. (Not | | | | so bold as to ask, would he need advice on "How To |
| that I didn't anyway, but she married me in spite of | | | | Get Published?" |
| it.)Your goal when you self-edit is to get your book as | | | | I'd rather he write some advice so I can hang up my |
| close to | | | | "helper guy" |
| "ready to read" as you possibly can. Do not be lazy | | | | hat and learn from a master.But I digress. You aren't |
| and do not | | | | being rejected. Your manuscript is.Did you ever hang |
| rush. You want your editor to find what you | | | | up the phone on a telemarketer, delete spam, |
| overlooked, not what | | | | or close the door in the face of a salesman? Of |
| you didn't know about, and you want it to be easy for | | | | course, and yet |
| him/her.Your story is your story. You write it from your | | | | that salesman just moves on to the next potential |
| heart, and | | | | customer. He |
| when it looks like something you'd enjoy reading, you | | | | knows you're rejecting his product, not him.Okay, in |
| set out to | | | | my case I'm rejecting both, but I'd never do that to an |
| find a publisher who shares your tastes. What you | | | | author. Neither will a publisher or an agent. All authors |
| don't want is | | | | tell |
| for that first reader to lose sight of what makes your | | | | other authors not to take rejection personally, and yet |
| story | | | | we all |
| special because you've bogged it down with silly | | | | do. Consider it a target to shoot for, then. Just keep |
| mistakes.Authors don't pay to be published. They are | | | | submitting, and just keep writing.The best way to |
| paid for publication. | | | | cope with waiting times is to "submit and |
| Always. It's just that simple. Later, I'll tell you where to | | | | forget," writing or editing other stuff while the time |
| get | | | | passes.And finally, feel free to send an e-mail to me |
| some free editing. But there's a limit to how much | | | | anytime. |
| editing you can | | | | or . |
| get without paying for it. Do you need more than | | | | I'll gladly share what I know with you, and it won't cost |
| that? I don't | | | | you a |
| know because I've never read your writing. But if you | | | | cent.I would wish you luck in your publishing |
| evaluate it | | | | endeavors, but I know |
| honestly, I think you'll know the answer.As an editor, | | | | there's no luck involved. It's all skill and |
| I've worked with some authors who simply couldn't | | | | diligence.Congratulations on completing the course! No |
| self-edit. Non-native English speakers, guys who slept | | | | ceremonies, no |
| through | | | | degrees, and no diplomas. But on the bright side, no |
| English class, whatever. To them, paying for editing | | | | student |
| was an | | | | loan to repay.Best regards, |
| option. This isn't paying for publication. This is paying | | | | Michael LaRocca |
| for | | | | 2005, Michael LaRoccaMichael LaRocca's website at |
| a service, training. Just like paying to take a Creative | | | | was |
| Writing | | | | chosen by WRITER'S DIGEST as one of The 101 |
| class at the local community college.By the way, I | | | | Best Websites |
| don't believe creativity can be taught. Writing, | | | | For Writers in 2001 and 2002. His response was to |
| certainly. I took a Creative Writing class in high school, | | | | throw it |
| free, | | | | out and start over again because he's insane. He |
| and treasure the experience. But I already had the | | | | teaches |
| creativity, | | | | English at a university in Hangzhou, Zhejiang Province, |
| or else it would've been a waste of the teacher's time | | | | China, and publishes the free weekly newsletter |
| and mine.If you hire an editor worthy of the name, you | | | | WHO MOVED |
| should learn from | | | | MY RICE? |
| that editor how to self-edit in the future. In my case it | | | | |